Squirrel Nut Zippers founder Jimbo Mathus actually never strayed far from the blues of his native Mississippi. Just as the Zippers were taking off in the late ’90s, he recorded an album of Delta blues, ragtime and jug band music in honor of Charley Patton, and in financial support of Patton’s daughter (and one-time Mathus nanny), Rosetta. Following the Zippers’ initial disbanding in 2000, he toured and recorded with Buddy Guy, set up his own studio, and began a string of albums that explored the many Southern flavors with which he grew up. In 2011 he waxed Confederate Buddha, his first album with the Tri-State Coalition, and explored various shades of country, soul, blues and rock ‘n’ roll.
The band’s third album knits together many of the same musical threads, but in a finer mesh than the debut, and with an edge that leans more heavily on rock, blues and soul. You can pick out moments that suggest the Stones (and by derivation, the Black Crowes), but a closer parallel might be an older, grizzled version of Graham Parker, as Mathus sings his deeply felt, soulful declarations and confessions. There’s a confidence in these performances that suggest songs workshopped for months on the road, but in reality they were developed over a year of casual studio time, and nailed by Mathus in demo sessions and by the band live in the studio. Mathus connects with these songs as if they’re extemporaneous expression, and like the best slow-cooked ribs, the exterior may be lightly charred, but the heart remains tender.
Listeners will enjoy the swampy southern rock and hint of Hendrix in “White Angel,” Memphis soul (and a lyrical tip to Lou Reed) in “Rock & Roll Trash,” and the Neil Young-styled fire of “Burn the Ships.” Matt Pierce’s and Eric “Roscoe” Ambel’s guitars are featured throughout, with scorching electric leads answering Mathus’ vocals. The album turns to country for the moonshiner story “Hawkeye Jordan” and Casey Jones (the railroad engineer, not the Grateful Dead song) is given an original spin in “Casey Caught the Cannonball.” Mathus covers a lot of ground between the love song “Shine Like a Diamond” and the addict’s lament, “Medicine,” but it’s the album’s unrelenting rock ‘n’ soul intensity that will both will keep your undivided attention. [Â©2014 Hyperbolium]