Vic Damone: The Lively Ones

Superb vocalist backed by sizzling Billy May charts

With Frank Sinatra having decamped to start his Reprise label, his former label, Capitol, signed the next best thing, Vic Damone. The Brooklyn-born Damone had the same working class roots as Sinatra, and after getting his first break on Arthur Godfrey’s talent show in the late ‘40s, he signed with Mercury. Damone had several hits with Mercury, as well as subsequently with Columbia, but in 1961 he began a five-year run on Capitol. This third long-player for Capitol, released in 1962, was also Damone’s second to pair him with arranger Billy May. The latter had worked with Sinatra in the late ‘50s on the seminal Come Fly with Me and Grammy-winning Come Dance with Me, and paired again with Sinatra for two more titles in 1961.

Entering the studio in 1962, Damone was an established star, and May was coming off a string of superb swing albums with one of Damone’s vocal role models. The result has the hallmarks of Sinatra’s great sessions – sizzling horn charts, swing surfaces, jazz underpinnings and thoughtful interpretations of material that leans heavily on standards. Winningly, however, this doesn’t sound like someone imitating Sinatra, as Damone asserted the beautiful tone of his voice on both ballads and up-tempo numbers. There’s none of Sinatra’s ring-a-ding-ding bravado here, and Damone sings with a friend’s smile rather than a pack leader’s wink.

Damone settles easily into the lush strings of “Laura” and “Ruby,” as well as the late-night feel of “Nina Never Knew.” He coasts smoothly through “Cherokee” and “The Most Beautiful Girl in the World,” with the band vamping energetically all around him, and swings both “I Want a Little Girl” and the album’s title track. The latter also lent itself to Damone’s summer replacement musical variety show, which he hosted for NBC in 1962 and 1963. The Lively Ones was previously available on CD as a two-fer with Strange Enchantment, but with the disc having fallen out of print, this digital download provides a value-priced option. Damone would record several more fine albums for Capitol before moving on to Warner Brothers, but this set is among his best. [©2017 Hyperbolium]

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