In 2008 this South Carolina band’s Freedom Wind so thoroughly evoked the Beach Boys golden age, that you’d wonder if their East Coast beach town of Charleston had somehow connected via a time and space portal to Los Angeles in 1965. More than just recreating the harmonies, instrumentation and arrangements, the band evoked Brian Wilson’s ethos in music, words and emotional tone. It remains a jaw-dropping achievement from start to finish. Four years later, in February of 2012, the band will return with their second album, expanding their exploration of 1960s sounds to the broad sweep of mid-decade AM radio hits, encompassing everything from the sophisticated writing of Burt Bacharach to the Latin-tinged schmaltz of Herb Alpert and the Tijuana Brass.
In anticipation of the forthcoming album, which will be mixed by Beach Boys associate Mark Linett, the band is releasing a trio of free EPs, each featuring a non-LP cover song and two pre-Linett mixes of album tracks. The Californian Suite, released last month, opened with a superb cover of Burt Bacharach’s “Walk on By,” and this month’s entry, The Carolinian Suite, offers up the Club’s take on the Classics IV’s “Stormy.” The band relaxes the song’s tempo a notch, giving the arrangement a terrific, loungey air; Jason Brewer’s voice isn’t as husky as Dennis Yost’s, but his gentle blue-eyed soul, the harmony vocals and the jazzy guitar at song’s end are terrific. The EP’s original tunes include a ballad (“Sweet Delights”) that sounds like mid-60s Brian Wilson crooning from the Great American Songbook, and the Burt Bacharach-styled “It’s No Use,” featuring an emotional vocal coda that’s equal parts Little Anthony and Dionne Warwick.
In 2008 this South Carolina band’s Freedom Wind so thoroughly evoked the Beach Boys golden age, that you’d wonder if their East Coast beach town of Charleston had somehow connected via a time and space portal to Los Angeles in 1965. More than just recreating the harmonies, instrumentation and arrangements, the band evoked Brian Wilson’s ethos in music, words and emotional tone. It remains a jaw-dropping achievement from start to finish. Four years later, in February of 2012, the band will return with their second album, expanding their exploration of 1960s sounds to the broad sweep of mid-decade AM radio hits, encompassing everything from the sophisticated writing of Burt Bacharach to the Latin-tinged schmaltz of Herb Alpert and the Tijuana Brass.
A few months after Alex Chilton’s passing in May 2011, the remaining members of Big Star (Jody Stephens, Jon Auer and Ken Stringfellow) played a tribute show in Memphis at the Levitt Shell. The entire show was recorded, and may eventually see release, but for now, a terrific three-song EP featuring John Davis has made the leap from its initial vinyl release to the digital domain. You can hear it below, and buy it as part of a Big Star bundle at Ardent’s on-line store.
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Joey Ramone meets Stiv Bators and Handsome Dick Manitoba
