Chip and Tony Kinmanâ€™s first band, the Dils, offered political anthems that resonated with the late-70s punk rock scene of their adopted San Francisco. A move to Los Angeles found the brothers increasingly disaffected from the growing aggressiveness of punk, and after settling into Austin, they developed the singular mix of pop punk, new wave and country that was Rank and File. Where the Dils had adopted the requisite punk sounds and styles of their times, Rank and File sounded like nothing else then extant. There was a maverick quality that was mindful of earlier country-rock pioneers, but ever the rebels, the band evolved into power chords and a more heavily produced drum sound by their third and final album. The brothers next formed the industrial techno-based Blackbird, mixing guitars and electronica (and a reworking of the Dils â€œClass Warâ€) for a run of three albums. Then, just as everyoneâ€™s memories of Rank and File began to fade, the Kinmans returned to Americana with the campfire-ready western songs of Cowboy Nation.
In the wake of Tony Kinmanâ€™s passing last year, his brother Chip assembled this collection of twenty-two previously unreleased tracks from their archives. The revelation of this collection is the fluidity of the duoâ€™s musical identities, with the pair often changing bands before they fully consecrated a new direction. What was rendered in public releases as discrete groups is shown here to be more of a continuum, as a 1978 take of â€œRank and Fileâ€ shows off the songâ€™s punk rock genesis, and the arch vocal tone of the Dils threads into the Blackbirdsâ€™ buzzy â€œMe Too.â€ Thereâ€™s a brawny riff hefted from â€œLouie, Louieâ€ into â€œCandy,â€ Beach Boys sunshine buried in the muddy â€œSheâ€™s Real Gone,â€ noisy wistfulness in a modern arrangement of â€œOld Paint,â€ and delicacy and tenderness in a cover of Tom Waitsâ€™ â€œJersey Girl.â€ As a collection, the material highlights the borderless world in which the Kinmanâ€™s made music, and for fans of their many-flavored bands, this provides a bittersweet reminder of their ever-changing sounds and restless musical souls. [Â©2019 Hyperbolium]