Posts Tagged ‘Garage Rock’

Holy Bouncer: Hippie Girl Lover

Saturday, May 28th, 2016

From Spain, an interesting combination of ’60s and ’70s influences that include the Doors, Who, Stones and a helping of garage rock. This is the title track from their forthcoming full-length album.

Holy Bouncer’s Facebook Page

In Memoriam: 2015

Saturday, December 26th, 2015

Ben E. King, 1938-2015

Listen to a selection of artists on Mixcloud or Spotify

January
Little Jimmy Dickens, country vocalist and guitarist
Andrae Crouch, pastor and gospel vocalist
Curtis Lee, vocalist (“Pretty Little Angel Eyes”)
Ray McFall, nightclub owner (The Cavern Club)
Popsy Dixon, vocalist and drummer (The Holmes Brothers)
Tim Drummond, bassist (Bob Dylan, Neil Young, CSN&Y)
Bill Thompson, manager (Jefferson Airplane)
Trevor Leonard Ward-Davies (aka “Dozy”), bassist (Dave Dee, Dozy, Beaky, Mick & Titch)
Ervin Drake, songwriter (“It Was a Very Good Year”)
Kim Fowley, producer, manager, songwriter and vocalist
Ian Allen, culture jammer (Negativland)
Dallas Taylor, rock drummer (CSN&Y)
Ward Swingle, vocalist (The Swingle Singers)
Edgar Froese, keyboardist (Tangerine Dream)
Rose Marie McCoy, songwriter (“I Beg of You” “Trying to Get to You”)
Joe Franklin, radio and television host
Neil Levang, guitarist (The Lawrence Welk Show)
Stephen R. Johnson, music video director (“Sledgehammer”)
Danny McCulloch, rock bassist (The Animals)
Rod McKuen, poet, songwriter and vocalist
Don Covay, vocalist and songwriter (“Chain of Fools”)

February
Joe B. Mauldin, rock ‘n’ roll bassist (The Crickets)
Thom Wilson, engineer and producer (Offspring, Dead Kennedys)
Sam Andrew, rock guitarist (Big Brother and the Holding Company)
Mosie Lister, gospel vocalist and songwriter (The Statesmen Quartet)
Gary Owens, disc jockey (KEWB, KFWB, KMPC) and television announcer
Steve Strange, new wave vocalist (Visage)
Leslie Gore, pop vocalist and songwriter
Clark Terry, jazz trumpeter and flugelhornist
Bobby Emmons, keyboardist and songwriter (“Luckenbach, Texas”)
Tod Dockstader, electronic music composer
Leonard Nimoy, actor, poet and vocalist

March
Orrin Keepnews, record executive and producer
Brian Carman, surf guitarist (Chantays) and songwriter (“Pipeline”)
Albert Maysles, documentarian (“Gimme Shelter”)
Lew Soloff, trumpeter and flugelhornist (Blood, Sweat & Tears)
Jerry Brightman, pedal steel guitarist (Buckaroos)
Eugene Patton, stagehand (“Gene Gene the Dancing Machine”)
Wayne Kemp, vocalist, guitarist and songwriter (“One Piece at a Time”)
Jimmy Greenspoon, rock keyboardist (Three Dog Night)
Daevid Allen, guitarist and vocalist (Soft Machine, Gong)
Bob Parlocha, jazz radio broadcaster (KJAZ)
Don Robertson, songwriter (“Please Help Me I’m Falling” “Ringo”)
Andy Fraser, rock bassist and songwriter (Free)
Samuel Charters, music historian
Michael Brown, songwriter and keyboardist (The Left Banke)
A.J. Pero, rock drummer (Twister Sister)
Miriam Bienstock, record company executive and theatrical producer
Al Bunetta, manager (Steve Goodman, John Prine)
John Renbourn, guitarist and songwriter (Pentangle)
Preston Ritter, rock drummer (The Electric Prunes)

April
Cynthia Lennon, author, first wife of John Lennon and mother of Julian
Dave Ball, rock guitarist (Procol Harum, Bedlam)
Doug Sax, audio mastering engineer (Doors, Rolling Stones, Who)
Robert Lewis “Bob” Burns Jr., drummer (Lynyrd Skynyrd)
Ray Charles, vocalist, songwriter and arranger (The Ray Charles Singers)
Milton DeLugg, musician, arranger, conductor and composer
Stan Freberg, comedian, parodist, broadcaster, advertising executive
Keith McCormack, vocalist, guitarist and songwriter (“Sugar Shack”)
Bill Arhos, television broadcaster and founder of Austin City Limits
Percy Sledge, vocalist
Billy Ray Hearn, record company executive (Myrrh)
Wally Lester, doo-wop vocalist (The Skyliners)
Sid Tepper, songwriter (“Red Roses for a Blue Lady” “G.I. Blues”)
Suzanne Crowe, actress and percussionist (The Partridge Family)
Jack Ely, rock ‘n’ roll guitarist and vocalist (The Kingsmen)
Steven Goldmann, music video director (Faith Hill’s “This Kiss”)
Ben E. King, vocalist and songwriter

May
Guy Carawan, folk musician and musicologist
Errol Brown, vocalist and songwriter (Hot Chocolate)
Rutger Gunnarsson, bassist (ABBA)
Johnny Gimble, western swing and country fiddler
Stan Cornyn, music industry executive (Warner Brothers, Reprise)
B.B. King, blues guitarist, vocalist and songwriter
Bruce Lundvall, record company executive (Blue Note, Angel, Manhattan)
Twinkle (Lynn Annette Ripley), pop vocalist and songwrite
Louis Johnson, bassist (The Brothers Johnson)
Johnny Keating, songwriter and arranger
Jim Bailey, vocalist, actor and impressionist (Judy Garland, Peggy Lee)
Julie Harris, costume designer (A Hard Day’s Night, Help)

June
Jean Ritchie, folk vocalist, songwriter and dulcimer player
Dennis Ferrante, recording engineer (John Lennon, Harry Nilsson)
Ronnie Gilbert, folk vocalist and songwriter (The Weavers)
Paul Bacon, album cover designer (Thelonious Monk, Chet Baker)
Randy Howard, country vocalist and songwriter
James Last, composer and bandleader
Johnny Keating, composer and arranger (“Theme for Z Cars”)
Jim Ed Brown, country vocalist and songwriter (The Browns)
Ornette Coleman, jazz saxophonist and visionary
Monica Lewis, jazz and commercial vocalist (Chiquita Banana)
Stephen Blauner, agent, manager and producer
Phil Austin, actor, comedian, writer, musician and radio broadcaster (The Firesign Theater)
Harold Battiste, saxophonist, arranger and composer
Wendell Holmes, guitarist and songwriter (The Holmes Brothers)
James Horner, film score composer, conductor and arranger (Titanic)
Chris Squire, bassist and songwriter (Yes)
Bruce Rowland, drummer (Grease Band, Fairport Convention)

July
Red Lane, country vocalist and songwriter
Roy C. Bennett, songwriter (“Red Roses for a Blue Lady” “G.I. Blues”)
Jerry Weintraub, film producer, manager, promoter and vocalist
Ernie Maresca, vocalist, songwriter (“Runaround Sue”) and record company executive
Michael Masser, songwriter (“Touch Me in the Morning”)
Tom Skinner, red dirt vocalist and songwriter
David Somerville, vocalist (The Diamonds)
Doug Layton, radio personality and Beatles boycotter
Buddy Buie, songwriter (“Spooky” “So Into You”) and producer
Van Alexander, composer, arranger and bandleader
Wayne Carson, songwriter (“The Letter” “Always on My Mind”)
Dieter Moebius, electronic music pioneer (Kluster, Brian Eno)
Theodore Bikel, actor, vocalist, activist and composer
Don Joyce, writer, producer, actor and radio broadcaster (Negativland, Over the Edge)
Vic Firth, percussionist and percussion stick maker
Buddy Emmons, pedal steel guitarist
Lynn Anderson, country vocalist

August
Cilla Black, vocalist, actress and media personality
Ken Barnes, author and producer
Billy Sherrill, producer, songwriter and arranger
Don Kent, blues historian and record label owner
Gary Keys, documentarian and concert producer
Bob Johnston, producer (Bob Dylan, Simon & Garfunkel) and songwriter
Danny Sembello, producer and songwriter (“Neutron Dance”)
Joy Beverley, vocalist (Beverley Sisters)

September
Owen “Boomer” Castleman, vocalist and guitarist (Lewis & Clarke Expedition), inventor (Palm Pedal)
Rico Rodriguez, ska and reggae trombonist (Specials)
Hal Willis, country vocalist (“The Lumberjack”)
Frederick “Dennis” Greene, vocalist (Sha Na Na)
Augusta Lee Collins, blues drummer, vocalist and guitarist
Smokey WIlson, blues guitarist
Gary Richrath, rock guitarist and songwriter (REO Speedwagon)
Peggy “Lady Bo” Jones, rock ‘n’ roll guitarist
Ben Cauley, trumpeter (Bar-Kays)
Wilton Felder, saxophonist and bassist (Jazz Crusaders)
Frankie Ford, vocalist (“Sea Cruise”)
Phil Woods, jazz saxophonist (“Just the Way You Are”)

October
Big Tom Parker, disc jockey (KFRC, KYUU, K101, KOIN, KMGI, KXL)
Dave Pike, jazz vibraphonist
Smokey Johnson, drummer (Fats Domino) and songwriter
Billy Joe Royal, pop vocalist (“Down in the Boondocks” “Cherry Hill Park”)
Gail Zappa, widow of Frank Zappa and trustee of the Zappa Family Estate
Larry Rosen, producer and label founder (GRP)
Steve Mackay, saxophonist (The Stooges)
Hal Hackady, lyricist and and screenwriter (“Let’s Go Mets!”)
Steve Gebhardt, filmmaker (“Ladies and Gentlemen, the Rolling Stones”)
John Jennings, musician and producer (Mary Chapin Carpenter)
Cory Wells, rock vocalist (Three Dog Night)
Arnold Klein, dermatologist (Michael Jackson)
Leon Bibb, folk and theater vocalist
Nat Peck, jazz trombonist
David Rodriguez, vocalist, songwriter and father of Carrie Rodriguez
Herbie Goins, R&B vocalist

November
Tommy Overstreet, country vocalist
Chuck Pyle, country vocalist, guitarist and songwriter
Eddie Hoh, session drummer (Donovan, Monkees, Mamas & Papas)
Charlie Dick, widower of Patsy Cline and record promoter
Andy White, drummer (The Beatles’ “Love Me Do” and “P.S. I Love You”)
Martin Beard, rock bassist (Sopwith Camel)
Allen Toussaint, musician, songwriter and producer
Phil Taylor, drummer (Motörhead)
P.F. Sloan, vocalist, songwriter and producer
Al Aarons, jazz trumpeter (Count Basie Orchestra)
Ramona Jones, fiddler (Hee Haw)
Mack McCormick, musicologist and folklorist
Norman Pickering, engineer and inventor (Pickering phonographic stylus)
Arthur Brooks, vocalist (The Impressions)
Cynthia Robinson, trumpeter (Sly and the Family Stone)
Ronnie Bright, doo-wop vocalist (Valentines, Coasters, “Mr. Bassman”)
Wayne Bickerton, songwriter, producer, label executive and bassist
Buddy Moreno, big band vocalist, bandleader and radio host

December
Alex Cooley, promoter (Atlanta International Pop Festival, Mar Y Sol)
Scott Weiland, vocalist and songwriter (Stone Temple Pilots)
John Garner, drummer and vocalist (Sir Lord Baltimore)
Marque Lynch, vocalist (Lion King, American Idol, Mickey Mouse Club)
Franz “Franzl” Lang, German yodel king, accordionist and guitarist
Bonnie Lou, country vocalist and television performer
Gary Marker, bassist and engineer (Rising Sons, Captain Beefheart)
Rusty Jones, jazz drummer
Luigi Creatore, songwriter and producer (“The Lion Sleeps Tonight”)
Adam Roth, guitarist (Jim Carroll, Del Fuegos)
Snuff Garrett, producer (Gary Lewis & The Playboys)
William Guest, R&B vocalist (Gladys Knight & The Pips)
Takeharu Kunimoto, shamisen player and bluegrass musician
Stevie Wright, pop vocalist (The Easybeats)
John Bradbury, drummer (The Specials)
Lemmy Kilmister, rock vocalist, bassist and songwriter (Motörhead)
Joe Houston, R&B saxophonist
Natalie Cole, vocalist and daughter of Nat “King” Cole

Hypercast #6: In Memoriam 2015

Friday, December 25th, 2015

A collection of music from some of the artists who passed away in 2015.

Billy Joe Royal Down in the Boondocks
B.B. King Early in the Morning
Bonnie Lou Friction Heat
Ben E. King (The Drifters) Save the Last Dance for Me
Don Covay Come See About Me
Errol Brown (Hot Chocolate) Emma
Don Joyce Crystal’s Snowdrift Disco Bar & Thrill
Jack Ely (The Kingsmen) Louie, Louie
Leonard Nimoy Highly Illogical
Kim Fowley The Trip
Buddy Emmons Witches Brew
Cory Wells (Three Dog Night) Mama Told Me Not to Come
Jean Richie Dulcimer Pieces
Johnny Gimble Lone Star Rag
Little Jimmy Dickens Me and My Big Loud Mouth
Lynn Anderson Flattery Will Get You Everywhere
Curtis Lee Pretty Little Angel Eyes
David Somerville (The Diamonds) Little Darlin’
Ronnie Bright (Johnny Cymbal) Mr. Bass Man
Frankie Ford Sea Cruise
Allen Toussaint Everything I Do Gonna Be Funky
Lew Soloff (Blood, Sweat & Tears) Spinning Wheel
Ramona Jones Whiskey Before Breakfast
Chuck Pyle Rio Rey
Cilla Black Conversations
Michael Brown (The Left Banke) Pretty Ballerina
Rod McKuen Jean
Percy Sledge Warm and Tender Love
Lesley Gore I Don’t Want To Be a Loser
Johnny Keating Theme From Z-Cars
Ward Swingle (The Swingle Singers) The Little Fugue
Jim Ed Brown Pop-A-Top
Owen Castleman Judy Mae
Scott Weiland (Stone Temple Pilots) Creep
P.F. Sloan Halloween Mary
Dave Pike Jet Set

Them Howling Bones

Monday, December 7th, 2015

Scorching hot blues-rock from the garage, with shades of Cream, George Thorogood, ? and the Mysterians and Lonnie Mack, with some of Screamin’ Jay Hawkins’ menace thrown in for good measure. This LA combo sounds like something Wolfman Jack would have played on XERB to terrify your parents. Check out a few tracks below!

Them Howling Bones’ Home Page

The Royal Hangmen: Hell Yeah! An 80s Garage Tribute

Sunday, November 8th, 2015

RoyalHangmen_HellYeahReviving the garage rock revivalists

Garage rock has turned out to be a gift that keeps on giving. The original mid-60s singles movement was recognized in the writings of Lester Bangs and Greg Shaw, and memorialized in 1972 on Lenny Kaye’s Nuggets. The sounds continued to echo ever more scratchily in the follow-on avalanche of Pebbles, Boulders, Back From the Grave, Girls in the Garage and their myriad peers, and the ethos took root among the DIY punk movement of the late-70s. By the early 1980s, a full-blown revival was underway, and over the succeeding decades, the sound has morphed and been reborn around the world.

Enter Zurich’s Royal Hangmen, who released their first demos in 2006, the single “Mary Jane” in 2009 and their self-titled debut LP in 2012. Their latest 4-song EP salutes the first wave of garage revivalists, including covers of the Chesterfield Kings (“She Told Me Lies”), Wylde Mammoths (“Help That Girl”), Miracle Workers (“I’ll Walk Away”) and Cynics (“Yeah!”). Just as the first-wave revivalists stocked their sets with covers of obscure singles from the 1960s, the Hangmen have selected their material with a connoisseur’s ear for the revivalists’ originals, and recreated the same sort of sweaty reverence these sides deserve. There are some great memories here, given a fresh shot of fuzz by the Royal Hangmen. [©2015 Hyperbolium]

The Royal Hangmen’s Home Page

The Buckinghams: The Complete Hit Singles

Friday, September 11th, 2015

Buckinghams_TheCompleteHitSInglesThe original recordings, but not the original mono singles

It took Chicago’s Buckinghams five tries to crack the singles chart. Their second single, a 1966 cover of James Brown’s “I’ll Go Crazy,” bubbled under, but their fifth release, “Kind of a Drag” raced up the Billboard chart to sit in the top spot for two weeks in February 1967. The group continued to chart through 1969, with their last entry, “It’s a Beautiful Day,” creeping up to #126. In between, they clicked with four more pop icons in 1967, “Don’t You Care,” “Mercy, Mercy, Mercy,” “Hey Baby (They’re Playing Our Song” and “Susan,” and posted several lower-charting singles – all of which are included here – on the charts.

The Buckinghams built their initial success with six superb singles and an album on the Chicago-based U.S.A. Records label. The album was released in both mono and stereo, but the singles, which were aimed at AM radio, were released only in mono. Varese has included all six of the A-sides, but, as has generally been the case for the Buckinghams in the digital age, the less impactful stereo mixes are used. Apparently Sony (who owns the recordings) wouldn’t or couldn’t produce the mono masters. And that’s a shame, as the wide stereo mixes dissipate much of the energy conjured by the hot mono singles. Also a question mark is the last of the group’s U.S.A. singles, “Summertime,” which is offered at the album’s 3:53 length, rather than the single’s reported 2:17 edit. Perhaps only the DJ single was edited, but if so, it would have made a nice inclusion.

The group moved to Columbia Records, where they produced three albums and nine singles, the latter of which are included here, again in stereo. The one novelty among the Columbia material is an edited version of the hit “Susan.” Originally issued with a thirty-second instrumental freakout inserted by the group’s producer, the single was reissued in edited form, and it’s the latter that’s included here. Beyond the hits scored for Columbia, the group had several fine singles that charted lower or not at all, including “Back in Love Again” (which turned up the following year as a “moldy oldy” on Chicago’s Kiddie-A-Go-Go!), the bubblegum soul “Where Did You Come From,” light-psych “This is How Much I Love You” and two more non-LP sides.

Other than “Susan” (and the inclusion of “Summertime”), these recordings appear to be the same as released on the earlier Mercy, Mercy, Mercy compilation. What distinguishes this set from Mercy are the stereo mixes. When Mercy was produced, a number of tracks were remixed by Vic Anesini; Varese asked Sony for the original period mixes, and assuming that’s what they received, they’re a great addition to the group’s digital canon. The absence of original mono singles, particularly for the U.S.A. sides, merits a more accurate title for this collection, but the 12-page booklet includes rare photos and excellent liner notes by Clark Besch, and Steve Massie’s remaster sounds great. [©2015 Hyperbolium]

The Buckinghams’ Home Page

Rubinoos vs. Psycotic Pineapple

Saturday, February 7th, 2015

Given the incestuous relationship between the Rubinoos and Psycotic Pineapple (Jon Rubin and Tommy Dunbar were charter members of the Pineapple, and early Rubinoos keyboardist Alex Carlin joined the Pineapple for their hey-day), it probably shouldn’t be surprising that artist (and bassist) John Seabury drew inspiration from (and took friendly aim at) the Rubinoos single. Still, how did we not realize this until today?


Rubinoos_IWannaBeYourBoyfriend

PsycoticPineapple_IWannaGetRidOfYou

John Seabury’s Facebook Page
The Rubinoos’ Home Page
Psycotic Pineapple’s Facebook Page

The Jeanies: The Jeanies

Friday, January 23rd, 2015

Jeanies_JeaniesGarage-bred power pop time-warped from 1978

This is music that could only have arrived through a tear in the space-time continuum. The Jeanies have somehow managed to create mid-70s DIY power pop forty years after the fact. The mid-fi production and endless hooks are so genuine as to rise above mere homage. If you didn’t know better, you’d swear this is a reissue of a long-lost Bomp release. Actually, and even more impressively, it sounds like an anthology of indie singles whose B’s were as heartfelt as the top-sides. Each track has you humming along almost immediately and invites you to listen again – if only to keep you from arriving too quickly at the end of your new favorite record.

If you collected singles by the Nerves, Neighborhoods, Zippers, Stars in the Sky and Shoes, you’ll remember how uplifting it felt to find music this good. You had to hunt for it; you had to make friends with record store clerks in small independent shops and hope they’d stash a copy for you behind the counter. And when you found albums by the Beat, Real Kids, Dwight Twilley, Flamin’ Groovies and Raspberries, you couldn’t believe your good fortune in finding something to expand your love of the Beatles, Beach Boys and Byrds. That’s how you’ll feel when you unwrap this one. And as good as it sounds in digital form, it’s going to sound even better when you play the limited edition cassette in your Chevy Vega. It’s a shame they didn’t issue this as five singles.

Songwriter and lead vocalist Joey Farber evinces just the right sense of angsty, adolescent longing as he recounts the breathless anticipation and unrequited moments of first sightings, second thoughts and postmortems. The guitars (courtesy of Farber and Jon Mann) strike a balance between sweet and tough, with succinct, melodic leads that verge winningly into garage-psych for “I’ll Warm You” and “Her Flesh.” There’s bubblegum-glam in “The Girl’s Gonna Go,” and the Who gets a nod with “The Kids Are No Good.” Fans of the Heats, Plimsouls, Posies (another band that debuted on cassette!) and Flying Color will dig this album from the downbeat. [©2015 Hyperbolium]

The Jeanies’ Facebook Page
The Jeanies’ Bandcamp Page

The Electric Mess: House on Fire

Tuesday, December 2nd, 2014

ElectricMess_HouseOnFireNew York garage rockers up their attack

New York’s Electric Mess returns with a new album that intensifies their Farfisa-laced mid-60s garage rock with the raucous bombast of the Stooges and Dolls. Esther Crow still spits out her lyrics with the ferocity of a latter-day Paul Pierce, but this time the organ plays from the sidelines as the group’s louder, harder instrumental attack takes center stage. Even when the tempo slows for “She Got Fangs” or the licentious “Lemonade Man,” the ferocity doesn’t dip, and up-tempo numbers like “Beat Skipping Heart” sound as if they’re being sprayed from a high-pressure fire hose. You can still hear the band’s mid-60s roots, but the location has changed from a suburban garage to a downtown squat. [©2014 Hyperbolium]

The Electric Mess’ Home Page

The Living Kills: Odd Fellows Hall

Tuesday, November 25th, 2014

LivingKills_OddFellowsHallDark psychedelic rock from the garages of Brooklyn

Singer, songwriter, guitarist and vocalist Merrill Sherman returns with an expanded five-piece line-up of the Living Kills for this new EP. As with their album Faceless Angels, the whining tone of Jennifer Bassett’s organ pinpoints the band’s inspiration in the garages of the 1960s. The rhythm riff of the opening “Anywhere” suggests the Moving Sidewalks’ “99th Floor,” but Bassett expands the epoch with some space-age Moog. Sherman’s songs explore B-movie and horror-related themes previously championed by the Cramps, and the arrangements buzz with the energy of the 13th Floor Elevators, Doors and UK Freakbeat. Newly added drummer Brian Del Guercio keeps a punchy backbeat, and bassist Ross Fisher adds a rumbling bottom end that will catch anyone walking by the garage. [©2014 Hyperbolium]

The Living Kills’ Home Page