Posts Tagged ‘Powerpop’

Various: International Pop Overthrow, Volume 22

Saturday, November 28th, 2020

Triple-disc collection of catchy pop (power and otherwise)

Jangly guitars? Check. Catchy melodies? Check. Broken hearts and vocal harmonies? Check and check. Three discs filled to the brim with three hours and forty-five minutes of pop (power and otherwise) recorded in studios and bedrooms all around the world. After a couple of volumes on the Del Fi label, more than a decade on Not Lame, and another seven volumes on Bruce Bordeen’s purpose-built Pop Geek Heaven, IPO bestowed its annual compilation (which became a triple-disc affair with volume five) on Omnivore with volume twenty-one. The latest collection, featuring bands that have played the annual IPO festival, and some that have not, is a solid entry in the series. 69 tracks that include a few luminaries (Bird Streets, Peter Holsapple, Van Duren, Kimberly Rew, and others), and a load of bands you may not have heard of.

There are too many highlights to name them all, but standouts include the joyously wordy verses and harmony choruses of Pecker’s “They Painted With Their Fingers,” the Popdudes’ dance floor-filling cover of the Wonders’ “Dance With Me,” Wolf Circus’ compassionate indie pop “I Will Answer,” the Posers’ Beach Boys-tinged psych “The Time and Place,” the magical mix of Rain Parade’s drone and Simon & Garfunkel’s duet harmony on Harrison Clock’s “Divine,” the catchy rhythm guitar on the Brothers Steve’s delicious bubblegum “She,” the Knack tribute sounds of Japan’s The Sharona on their original “Oh My Girl,” the full-throated harmonies and drippy guitar of Three Hour Tour’s “Lonely Place,” the Pat Benetar power of Slyboots’ “The Fall,” the twin lead guitars and emotional rebirth of the Jeremy Band’s “Joy Comes in the Morning,” the grungy psych of the Anderson Council’s “Lord Cornelius Plum,” the aptly named Zombies of The Stratosphere’s groovy cover of Billy Nicholls‘ (and Dana Gillespie’s) “London Social Degree,” and the Last Hurrah’s set-ending “Saturday in the Sunshine.”

Most of the tracks are rabbit holes into band websites, Facebook and Bandcamp pages, YouTube videos, digital downloads, CDs, vinyl singles, scene reports and info on related bands. This set is both a sampler of each band’s wares and a link to their catalogs; it’s a great spin on its own, but even better as a guide to bands you’d like to get to know. IPO founder David Bash and with his wife, Rina Bardfield, distill hundreds of audition tapes to select acts for the festival, and distill the festival lineup even further to fill these three discs (which, incredibly, fit into a standard-sized jewel case). The four page booklet includes band lineups, production credits and website URLs, but no background info – this is left for the listener to discover. But the music is great, and will motivate you to find out more about your favorites, of which there will be many. [©2020 Hyperbolium]

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