Tag Archives: White Whale

Paul Davis: The Very Best Of

PaulDavis_TheVeryBestOfComprehensive collection of soft-rock singer’s hits

Mississippian Paul Davis is best remembered for his breakthrough 1977 hit “I Go Crazy,” but the light-soul soft-rock singer-songwriter broke into the industry seven years earlier, and continued to chart regularly until 1982. Varese’s seventeen-track collection reaches back to his first single, “Revolution in My Soul” b/w “Constantly” (issued as The Reivers), and rolls all the way through a pair of chart-topping duets in the mid-80s with Marie Osmond (“You’re Still New to Me”) and Tanya Tucker (the terrific “I Won’t Take Less Than Your Love”). Along the way the disc collects all of Davis’ charting singles except the minor chart entries “Can’t You Find Another Way (Of Doing It),” “Keep Our Love Alive” and “Cry a Little.”

The two earliest sides, issued on the Los Angeles-based White Whale label, are great period pop, with the Muscle Shoals-produced A-side evincing gospel soul and the B-side tuneful bubblegum. The single gained enough notice to get Davis signed with the Bang label, where his first release was a sweet soul cover of the Jarmels’ “A Little Bit of Soap.” The single’s success led to an album, A Little Bit of Paul Davis, and an opportunity for Davis to spread his songwriting wings with “I Just Wanna Keep it Together.” You can hear a touch of labelmate Neil Diamond in the single’s near-spoken passages, though the production is more in line with the pop hits of Tony Orlando and UK acts Edison Lighthouse and the Flying Machine.

Davis continued to write imaginative hits for himself throughout the ‘70s, often producing or co-producing his own records. He added country rock flavor to “Boogie Woogie Man,” folk country to “Ride ‘Em Cowboy,” and turning more towards the pop mainstream with electronic keyboards on 1976’s “Thinking of You” and double-tracked vocals on the name-checking “Superstar.” The updated sound set the stage for Davis’ breakthrough with the following year’s “I Go Crazy,” a single that stayed on the Hot 100 for a then record-setting forty weeks. A follow-up duet (with Susan Collins) covering the Beach Boys’ “Darlin’” charted outside the Top 40, but the smooth “Sweet Life” brought him back to the Top 20 and crossed to the country chart.

Davis moved to Arista and notched a trio of hits in the early ‘80s, including his biggest chart success, “‘65 Love Affair.” His final hit for Arista, a cover of the Friends of Distinction’s “Love or Let Me Be Lonely” is included here in its original single version, featuring a third verse that was not on the album track. Davis largely retired from recording after 1982, guesting on a pair of country chart-topping duets in 1986 and 1988, and focusing on background singing and songwriting, including penning “Meet Me in Montana” for Dan Seals. This disc provides a good introduction to Davis’ music, from earlier, earthier sides through the slicker pop-soul sound of his solo hits, to the country duets with which he bowed out. [©2015 Hyperbolium]