Posts Tagged ‘Alive’

Radio Moscow: Brain Cycles

Tuesday, April 14th, 2009

radiomoscow_braincyclesBrain melting heavy blues-psych guitar rock

Iowan Parker Griggs returns with Radio Moscow’s second album of power-trio electric blues. The trio here is one of instruments rather than players, since Griggs accompanies his bluesy psychedelic guitar leads by pounding out flamboyant, full-kit drumming. He’s surprisingly accomplished at both, and with bassist Zach Anderson (replacing the debut album’s Luke Duff) and the magic of overdubbing, the duo brings to mind the heavy sounds of Hendrix, Cream, Blue Cheer, Jeff Beck, Montrose and other pre-metal hard rockers. If anything, Radio Moscow’s gotten heavier, riffier in its tuneage and flashier with its rhythms. Though he was no slouch on the group’s previous album, Griggs’ sounds like he’s been practicing his drumming.

Radio Moscow is a heavy-jam powerhouse, with many of the tracks clocking in at 4- and 5-minutes, and the studio-effect heavy “No Good Woman” stretching to over eight, including a (flashback alert!) minute-thirty drum solo. Griggs serves as the band’s vocalist, singing through processing that sounds like a Mellotron, but the lyrics mostly serve to keep the guitar solos from running over one another. It’s best to approach the band as an instrumental combo, with the scattered vocals as texture. The singer who could actually front this torrent of sound (rather than stand by and occasionally lob lyrics into the quieter parts) would just end up distracting from the group’s tight, gutsy interplay of guitar, bass and drums.

The tight, heavy riffs bring to mind early UK prog-rock and metal bands like King Crimson, Arthur Brown’s Kingdom Come and Black Sabbath, but generally without the lengthy excursions into jazz-styled jamming. Available on both CD and vinyl (but sadly not reel-to-reel tape), this should really be heard at maximum volume through classic 1970s speakers such as Altec Voice of the Theater A7s and a suitable cloud of smoke. [©2009 hyperbolium dot com]

MP3 | Broke Down
Radio Moscow’s Home Page
Radio Moscow’s MySpace Page

Henry’s Funeral Shoe: Everything’s For Sale

Tuesday, March 31st, 2009

henrysfuneralshoe_everythingsforsaleHeavy two-man guitar-and-drums blues-rock

The minimalist blues formula brought back to popular prominence by the White Stripes, has been equally effective for guitar-and-drums duos like the Black Keys, Two Gallants and Soledad Brothers, and bass-free groups like Black Diamond Heavies and Radio Moscow. The Welsh duo Henry’s Funeral Shoe, featuring Aled Clifford on electric guitar and vocals and his younger brother Brennig on drums, debut with heavy blues-rock originals that drift briefly into psychedelic jamming. Aled’s twanging low strings and Brennig’s heavy kick drum and tom-toms fill up the rhythmic and tonal space made by the lack of a bass player. There are shades of Peter Green in the guitar playing, and the sparse vocals have the rough-and-ready force of guttural blues shouters such as the proto-rock ‘n’ roller Big Joe Turner, the edgy electric bluesmen Johnny Winter, early metal howlers like Paranoid-era Ozzy Osbourne, and growling alley dwellers like Tom Waits. The elder Clifford writes lyrics populated with phrases rather than stories or characters, matching the duo’s instrumental style by adding verbal catch-lines to the riff-heavy music. These tunes are sure to be even more arresting when assaulting sweaty bodies on a darkened, beer-soaked dance floor. [©2009 hyperbolium dot com]

MP3 | Henry’s Funeral Shoe
Henry’s Funeral Shoe’s MySpace Page

The Nerves: One Way Ticket

Saturday, February 28th, 2009

thenerves_onewayticketThe headwaters of mid-70s power pop

The Nerves – Peter Case, Paul Collins and Jack Lee – issued only one 4-song EP during their three year tenure, but that 1976 7” flew brilliantly in the face of then-dominant arena rock as well as the back-to-basics punk paradigm trailing in the Ramones’ wake. The Nerves mixed the pop melodics of the Beatles, Big Star, Raspberries and Rubinoos with the emerging DIY aesthetic to create music that had garage-rock intensity layered with the craft of AM-radio hooks. The EP served as a template for all three members’ subsequent solo careers, and drew a rock ‘n’ roll path that paralleled New Wave pop without surrendering to its badly aging musical affectations.

The EP was self-financed and thinly distributed, making it a collector’s item even at the time of its mid-70s issue. Two of its tracks, Lee’s “Hanging on the Telephone” and Case’s “When You Find Out” turned up on Rhino’s D.I.Y: Come Out and Play – American Power Pop I (1975-1978), and the previously unreleased “One Way Ticket” was included in the box set Children of Nuggets in 2005. The entire 4-song EP, along with the Plimsoul’s Zero Hour, and Jack Lee’s Greatest Hits, Vol. 1 turned up on the 1992 grey-market French CD That’s Totally Pop, but as Peter Case explains in this set’s liner notes, this is the Nerve’s first official full-length release. Included are the original four songs, two by Jack Lee, one by Case and one by Collins, augmented by a pair of tracks (Peter Case’s “One Way Ticket” and Jack Lee’s “Paper Dolls”) that were meant to be the EP’s follow-up on Greg Shaw’s Bomp label.

Paul Collins’ “Walking Out on Love,” which he later re-recorded with The Beat, is heard here in a frantic post-Nerves/pre-Beat version by Collins, Case and a pick-up guitarist. Case’s “Thing of the Past,” written for the Nerves, is performed live by an early version of the Plimsouls, and Jack Lee’s immediate post-Nerves sound is documented with the rockabilly-punk “It’s Hot Outside.” A rough demo of the Case-Collins “Many Roads to Follow” is sung to strummed acoustic guitars, combining the power of the British Invasion and Everly-styled harmonies. Demos of the group’s live staples “Are You Famous?” and “Letter to G.” show Jack Lee also had no shortage of fine material.

Also included are eight tracks recorded live on the group’s 1977 cross-country tour. The sound is listenable bootleg quality, which is better for getting a sense of the Nerves’ energy than a truly satisfying listening experience. No matter, the original EP is worth the CD’s full price, and the post-EP and post-Nerves tracks are great bonuses. Case moved on to form the Plimsouls, recording the brilliant debut Zero Hour and two immediate follow-up LPs; Collins formed The Beat, carrying on the Nerves pop-rock sound with the group’s eponymous debut; Lee unexpectedly found commercial success when Blondie covered the Nerves’ “Hanging on the Telephone,” and subsequently released a pair of albums in the 1980s. But it all started here – and all lovers of power pop should snap this up while it’s available! [©2009 hyperbolium dot com]

Listen to “When You Find Out”
The Nerves’ MySpace Page