Posts Tagged ‘Bluegrass’

In Memoriam: 2016

Monday, December 26th, 2016

Merle Haggard, 1937-2016

Listen to a selection of these artists on Spotify

January
Tony Lane, art director (Rolling Stone) and album cover designer
Brad Fuller, composer and music director (Atari)
Paul Bley, jazz pianist
Jason Mackenroth, rock drummer (Mother Superior, Rollins Band)
Long John Hunter, blues guitarist, vocalist and songwriter
Georgette Twain Seiff, hall-of-fame banjo player
Robert Stigwood, manager and film producer
Nicholas Caldwell, R&B vocalist (The Whispers) and songwriter (“Lady”)
Elizabeth Swados, writer, composer and theater director (“Runaways”)
Alfredo “Chocolate” Armenteros, jazz and salsa trumpeter
Pat Harrington Jr., actor and comedy recording artist (Some Like it Hip!)
Kitty Kallen, vocalist (“It’s Been a Long, Long Time”)
Troy Shondell, pop vocalist (“This Time (We’re Really Breaking Up)”)
Otis Clay, soul vocalist (“Trying to Live My Life Without You”)
Red Simpson, country vocalist and songwriter
Brett Smiley, glam rock vocalist (“Va Va Va Voom”)
Ed Stewart, radio broadcaster and television presenter (Top of the Pops)
David Bowie, vocalist and songwriter
Joe Moscheo, gospel vocalist (The Imperials) and industry executive
Giorgio Gomelsky, club owner, manager, producer and label owner
Hoyt Scoggins, country and rockabilly vocalist and songwriter
René Angélil, impresario and manager (Celine Dion)
Noreen Corcoran, actress (Bachelor Father) and vocalist (“Love Kitten”)
Pete Huttlinger, guitar virtuoso
Gary Loizzo, pop vocalist and guitarist (The American Breed)
Clarence “Blowfly” Reid, musician, songwriter and producer
Mic Gillette, brass player (Tower of Power)
Dale Griffin, rock drummer (Mott the Hoople)
Ramblin’ Lou Schriver, radio broadcaster, musician and concert promoter
Glenn Frey, vocalist, songwriter and guitarist (The Eagles)
Andrew Johnson, album cover artist (The The)
Jimmy Bain, rock bassist (Dio, Rainbow)
Joe Esposito, road manager (Elvis Presley) and Memphis Mafia member
Colin “Black” Vearncombe, vocalist and songwriter (“Wonderful Life”)
William E. Martin, songwriter (Monkees), screenwriter and voice actor
Signe Toly Anderson, vocalist (Jefferson Airplane)
Paul Kantner, vocalist, songwriter and guitarist (Jefferson Airplane)
Billy Faier, banjo player

February
Maurice White, vocalist, songwriter and producer (Earth, Wind & Fire)
Leslie Bassett, Pulitzer Prize-winning composer
Bobby Caldwell, keyboardist (Terry Knight and the Pack)
Joe Dowell, pop vocalist (“Wooden Heart”)
Jimmy Haskell, arranger, composer, producer and bandleader
Ray Colcord, film and television composer, producer and musician
Dan Hicks, vocalist and songwriter
Sam Spence, composer (NFL Films)
Obrey Wilson, soul vocalist (“Hey There Mountain”)
Rick Wright, country guitarist (Connie Smith)
Roy Harris, British folk vocalist
Kim Williams, country songwriter (“Three Wooden Crosses”)
L.C. Ulmer, blues musician
Denise “Vanity” Matthews, vocalist (Vanity 6), actress and evangelist
Joyce Paul, country vocalist (“Phone Call to Mama”)
Ray West, Emmy and Oscar-winning sound engineer (Star Wars)
Paul Gordon, keyboardist and composer
Brendan Healy, actor and musician (Goldie, Lindesfarne)
Vi Subversa, vocalist and guitarist (Poison Girls)
Charlie Tuna, radio broadcaster (KHJ, KROQ, KIIS, KBIG)
Buck Rambo, gospel vocalist
Sonny James, country vocalist and songwriter
Lennie Baker, vocalist and saxophonist (Danny & The Juniors, Sha Na Na)
John Chilton, jazz trumpeter and music historian
Craig Windham, radio broadcaster (NPR)

March
Gayle McCormick, vocalist (Smith ”Baby It’s You”)
Martha Wright, vocalist and actress (South Pacific, The Sound of Music)
Gavin Christopher, R&B vocalist and songwriter
Joey Feek, country vocalist (Joey + Rory)
Chip Hooper, agent (Phish, Dave Matthews Band)
Ireng Maulana, jazz guitarist
Joe Cabot, jazz trumpeter
Bruce Geduldig, synthesist and filmmaker (Tuxedomoon)
Timothy Makaya, jazz guitarist
Ross Hannaford, rock guitarist (Daddy Cool)
Ron Jacobs, radio broadcaster (Boss Radio KHJ, American Top 40)
Sir George Martin, producer
Jon English, musician and actor
Ray Griff, country vocalist
John Morthland, music journalist
Naná Vasconcelos, Latin jazz percussionist
Ernestine Anderson, jazz vocalist
Keith Emerson, progressive rock keyboardist
Gogi Grant, pop vocalist
Ben Bagdikian, educator, journalist and media critic
Ben Edmonds, music journalist
Louis Meyers, promoter (co-founder of SXSW) and manager
Tommy Brown, R&B vocalist (The Griffin Brothers)
Lee Andrews, doo-wop vocalist and father of Questlove
Frank Sinatra Jr., vocalist and actor, son of Frank Sinatra
Steve Young, country vocalist and songwriter (“Seven Bridges Road”)
David Egan, songwriter and pianist
Ned Miller, country vocalist and songwriter
Terry James Johnson, drummer (Bar-Kays) and clinical psychologist
Phife Dawg, rapper (A Tribe Called Quest)
James Jamerson Jr., R&B bassist (Chanson)
Jimmy Riley, reggae musician (The Sensations and the Uniques)
David Baker, symphonic jazz composer, musician and educator
Wally Crouter, Canadian radio legend (CFRB)
Patty Duke, actress and vocalist
Andy Newman, pianist (Thunderclap Newman)
Larry Payton, drummer (Brass Construction)

April
Gato Barbieri, jazz saxophonist
Don Francks, jazz musician and actor
Bill Henderson, jazz vocalist and actor
Carlo Mastrangelo, doo-wop and progressive rock vocalist
Dorothy Schwartz, pop vocalist (The Chordettes)
Leon Haywood, soul and funk vocalist
Dennis Davis, rock drummer (David Bowie)
Merle Haggard, country vocalist, guitarist and songwriter
Jimmie Van Zant, southern rock musician, cousin of Ronnie Van Zant
Earl Solomon Burroughs, musician and songwriter (“Great Balls of Fire”)
Jim Ridley, editor, critic and journalist (Nashville Scene)
Tony Conrad, experimental musician
Doug Banks, radio broadcaster (KDAY, KFI, KDIA)
Emile Ford, pop musician and sound engineer
David Gest, producer and former husband of Liza Minnelli
Gib Guilbeau, country-rock musician (Nashville West)
Filthy McNasty, nightclub owner
Mariano Mores, Argentine tango composer, pianist and conductor
Phil Sayer, British voice artist (“Mind the Gap”)
Vandy Anderson, radio broadcaster (KULF, KGBC)
Elliot Spitzer, radio executive (WLIR-FM)
Lord Tanamo, ska and mento musician
Richard Lyons, culture jammer (Negativland)
Pete Zorn, multi-instrumentalist (Richard Thompson Band)
Victoria Wood, actress, vocalist and songwriter
Lonnie Mack, guitarist, vocalist and songwriter (“Wham”)
Prince, vocalist, songwriter and multi-instrumentalist
Billy Paul, R&B vocalist (“Me & Mrs. Jones”)
Remo Belli, jazz drummer and inventor of the synthetic drumhead
Harrison Calloway, musician and bandleader (Muscle Shoals Horns)

May
Candye Kane, blues and swing vocalist and songwriter
John Stabb, punk rock vocalist (Government Issue)
Peter Behrens, drummer (Trio)
Tony Gable, percussionist and graphic designer
Julius La Rosa, pop vocalist
Buster Cooper, jazz trombonist
Bill Backer, jingle writer (“I’d Like to Teach the World to Sing”)
Tony Barrow, press officer (The Beatles)
Johnny Sea, country vocalist (“Day For Decision”)
Emilio Navaira, tejano and country vocalist, guitarist and songwriter
Guy Clark, singer and songwriter
John Berry, punk rock guitarist (Beastie Boys)
James King, bluegrass musician
Nick Menza, rock drummer (Megadeth)
Marshall Jones, bassist (Ohio Players)
Floyd Robinson, country vocalist and songwriter (“Makin’ Love”)
Rick Vanaugh, country drummer (The Time Jumpers)

June
Alan Wise, promoter and manager (Factory Records)
Muhammed Ali, boxer and spoken word artist (“I Am the Greatest”)
Mac Cocker, radio broadcaster (Australia’s Double J)
Mark Parenteau, radio broadcaster (WBCN)
Dave Swarbrick, violinist, vocalist and songwriter (Fairport Convention)
Bobby Curtola, Canadian teen idol (“Hand in Hand With You”)
Dan Sorkin, radio broadcaster (WCFL, KFRC, KSFO)
Brian Rading, rock bassist (Five Man Electrical Band)
Christina Grimmie, vocalist and songwriter (The Voice)
Chips Moman, songwriter and producer
Henry McCullough, rock guitarist (Grease Band, Spooky Tooth, Wings)
Charles Thompson, jazz pianist and organist
Attrell Cordes, hip-hop, soul and R&B artist (P.M. Dawn)
Tenor Fly, rapper and ragga vocliast
Bill Ham, manager, producer and songwriter (ZZ Top)
”Dandy” Dan Daniel, radio broadcaster (WMCA, WYNY, WCBS)
Wayne Jackson, R&B trumpeter (Mar-Keys, Memphis Horns)
Freddy Powers, country songwriter and producer
Leo Brennan, Irish musical patriarch
Harry Rabinowitz, conductor (Chariots of Fire) and composer (I, Claudius)
Dr. Ralph Stanley, mountain music banjoist, vocalist and songwriter
Bernie Worrell, keyboardist and composer (Parliament-Funkadelic)
Mack Rice, songwriter (“Mustang Sally” “Respect Yourself”)
Scotty Moore, rock ‘n’ roll guitarist
Rob Wasserman, bassist
Don Friedman, jazz pianist

July
Teddy Rooney, actor, musician and son of Mickey Rooney
Bob Goldstone, music industry executive (Thirty Tigers)
William Hawkins, poet and songwriter
Danny Smythe, rock drummer (The Box Tops)
Vaughn Harper, radio broadcaster (WBLS “The Quiet Storm”)
Carole Switala, vocalist and puppeteer (Mr. Rogers’ Neighborhood)
Steve Young, musician (Colourbox, MARRS) and songwriter
Johnny Craviotto, rock drummer and drum maker
Charles Davis, jazz saxophonist
Bonnie Brown, country vocalist (The Browns)
Alan Vega, vocalist, songwriter (Suicide) and visual artist
Claude Williamson, jazz pianist
Gary S. Paxton, vocalist, songwriter and producer
Fred Tomlinson, vocalist and songwriter (“The Lumberjack Song”)
John Pidgeon, rock music writer and BBC radio executive
Lewie Steinberg, R&B bassist (Booker T. & the M.G.’s)
George Reznik, jazz pianist
Marni Nixon, playback vocalist (West Side Story, My Fair Lady) and actress
Roye Albrighton, vocalist and guitarist (Nektar)
Allan Barnes, jazz saxophonist (The Blackbyrds)
Sandy Pearlman, writer, producer and manager (Blue Oyster Cult)
Lucille Dumont, vocalist, songwriter and television star
Nigel Gray, record producer (The Police, Siouxsie and the Banshees)
Penny Lang, folk musician

August
Ricci Martin, musician, entertainer and son of Dean Martin
Patrice Munsel, coloratura soprano
Richard Fagan, songwriter (“Sold (The Grundy County Auction Incident)”)
Pete Fountain, jazz clarinetist
B.E. Taylor, pop vocalist and songwriter (“Vitamin L”)
Ruby Winters, soul vocalist (“Make Love to Me” “I Don’t Want to Cry”)
Padraig Duggan, folk musician (Clannad, The Duggans)
Glenn Yarbrough, vocalist and songwriter
David Enthoven, manager and record label executive
Ruby Wilson, blues vocalist
Connie Crothers, jazz pianist
Bobby Hutcherson, jazz vibraphonist
Preston Hubbard, bassist (Roomful of Blues, Fabulous Thunderbirds)
Lou Pearlman, producer and manager (Backstreet Boys, *NSYNC)
Irving Fields, pianist, composer and bandleader (Bagles and Bongos)
Matt Roberts, rock guitarist (3 Doors Down)
Tom Searle, guitarist (The Architects)
Louis Stewart, jazz guitarist
Headley Bennett, reggae saxophonist
Derek Smith, jazz pianist
Gilli Smythe, vocalist (Gong)
Toots Thielemans, harmonica player, guitarist and whistler
Rudy Van Gelder, recording engineer (Bluenote)
Monty Lee Wilkes, sound engineer (The Replacements, Nirvana)
Hubert Dwane “Hoot” Hester, country and bluegrass fiddler

September
Fred Hellerman, folk singer, songwriter and guitarist (The Weavers)
Kacey Jones, singer, songwriter and humorist
Jerry Heller, agent, promoter and manager (N.W.A.)
Bud Isaacs, steel guitarist
Lewis Merenstein, producer (Van Morrison, Gladys Knight, John Cale)
Clifford Curry, R&B vocalist (“She Shot a Hole in My Soul”)
Prince Buster, ska singer-songwriter and producer (“One Step Beyond”)
”Crazy” Eddie Antar, electronics retailer
Chris Stone, studio owner (The Record Plant)
Leonard Haze, rock drummer (Y&T)
Don Buchla, pioneering synthesizer designer
Jerry Corbetta, vocalist, keyboardist and songwriter (Sugarloaf)
Trisco Pearson, R&B vocalist (Force M.D.’s)
Charmian Carr, actress and vocalist (The Sound of Music)
Micki Marlo, vocalist (“What You’ve Done To Me” “Little By Little”)
John D. Loudermilk, songwriter and vocalist (“Tobacco Road”)
Richard D. Trentlage, jingle writer (Oscar Mayer, McDonald’s)
Rob Meurer, vocalist and songwriter (Christopher Cross)
Stanley “Buckwheat Zydeco” Dural Jr, zydeco accordionist
Kashif, R&B vocalist, instrumentalist, producer and songwriter
Jean Shepard, country vocalist and songwriter
Joe Clay, rockabilly vocalist and guitarist
Royal Torrence, soul vocalist (Little Royal and the Swingmasters)
Nora Dean, reggae and gospel vocalist (“Barbwire”)
Oscar Brand, folk vocalist and songwriter, radio host (WNYC)
Michael Casswell, session guitarist (Brian May)

October
Joan Marie Johnson, pop vocalist (The Dixie Cups)
Caroline Crawley, vocalist (Shelleyan Orphan, This Mortal Coil)
Rod Temperton, keyboardist and songwriter (“Thriller” “Off the Wall”)
Peter Allen, radio broadcaster (Metropolitan Opera)
Don Ciccone, pop vocalist (The Critters) and songwriter
Leo Beranek, acoustic engineer and co-founder of BB&N
Robert Bateman, songwriter (“Please Mr. Postman”), vocalist (Satintones)
Sonny Sanders, songwriter, arranger and vocalist (Satintones)
Robert Edwards, R&B vocalist (The Intruders)
Ted V. Mikels, filmmaker and record label owner
Phil Chess, producer and record company executive
Chris Porter, americana vocalist, songwriter and guitarist
Mitchell Vandenburg, americana bassist and songwriter
Dave Cash, radio broadcaster (Radio London, BBC Radio 1)
Herb “The Cool Gent” Kent, radio broadcaster (WVON, WJJD and V103)
Pete Burns, vocalist and songwriter (Dead or Alive)
Bobby Vee, pop vocalist
Hazel Shermet, actress and singer (New Zoo Revue’s Henrietta Hippo)
John Zacherle, TV host, recording artist and radio broadcaster
Ron Grant, film and television composer (Knot’s Landing)
Tammy Grimes, actress and vocalist (The Unsinkable Molly Brown)
Curly Putman, country songwriter (“Green, Green Grass of Home”)

November
Bap Kennedy, vocalist and songwriter
Bob Cranshaw, jazz bassist
Kay Starr, pop and jazz vocalist
Jean-Jacques Perrey, electronic music producer
Laurent Pardo, bassist (Elliott Murphy’s Normandy All-Stars)
Sir Jimmy Young, radio host (BBC Radio 1 and 2) and vocalist
Al Caiola, guitarist, composer and arranger
Leonard Cohen, vocalist, songwriter, poet and novelist
Raynoma Gordy Singleton, songwriter and second wife of Barry Gordy Jr.
Billy Miller, magazine publisher (Kicks) and record label owner (Norton)
Leon Russell, vocalist, pianist and songwriter
Holly Dunn, country vocalist and songwriter
David Mancuso, disc jockey and private party host (The Loft)
Mose Allison, jazz pianist, vocalist and songwriter
Cliff Barrows, musical director (Billy Graham Evangelistic Association)
Milt Okun, producer, arranger, conductor and publisher
Don Waller, music journalist and vocalist
Mentor Williams, songwriter (“Drift Away”), producer and engineer
Sharon Jones, soul vocalist (The Dap Kings)
Al Batten, bluegrass banjo player and band leader
Hod O’Brien, jazz pianist
Craig Gill, rock drummer (Inspiral Carpets)
Al Broadax, television and film producer (The Beatles, Yellow Submarine)
Florence Henderson, actress and vocalist
Pauline Oliveros, composer, educator and accordionist
Tony Martell, record industry executive (CBS Records) and philanthropist
Ray Columbus, vocalist, songwriter, manager and television host
Carlton Kitto, jazz guitarist

December
Mickey Fitz, punk rock vocalist (The Business)
Mark Gray, country vocalist and songwriter (“Take Me Down”)
Herbert Hardesty, saxophonist (Fats Domino, Dave Bartholomew)
Wayne Duncan, bassist and vocalist (Daddy Cool)
Mohamed Tahar Fergani, Algerian vocalist, violinist and composer
Greg Lake, vocalist, bassist and songwriter (King Crimson, EL&P)
Palani Vaughan, Hawaiian vocalist and songwriter
George Mantalis, pop vocalist (The Four Coins)
Valerie Gell, rock ‘n’ roll vocalist and guitarist (The Liverbirds)
Bob Krasnow, record executive and co-founder of the R’n’R Hall of Fame
Joe Ligon, gospel vocalist (Mighty Clouds of Joy)
Barrelhouse Chuck, blues vocalist, songwriter and pianist
Jim Lowe, songwriter (“The Green Door”) and radio broadcaster
Ahuva Ozeri, Israeli singer-songwriter
Betsy Pecanins, blues singer and songwriter
Päivi Paunu, vocalist and Eurovision contestant (“Muistathan”)
Bunny Walters, Maori pop vocalist (“Brandy” “Take the Money and Run”)
Fran Jeffries, vocalist, dancer and actress (The Pink Panther)
John Chelew, producer and concert promoter (McCabe’s Guitar Shop)
Bob Coburn, radio broadcaster (“Rockline,” KLOS)
Léo Marjane, French vocalist (“Seule ce soir”)
Gustavo Quintero, Columbian singer-songwriter
Gordie Tapp, radio broadcaster and television performer (Hee Haw)
Andrew Dorff, country songwriter (“My Eyes” “Somebody’s Heartbreak”)
Dick Latessa, actor and Tony winner (Hairspray)
Sam Leach, concert promoter (The Beatles)
Betty Loo Taylor, jazz pianist
Frank Murray, manager (The Pogues) and tour manager
Mick Zane, rock guitarist (Malice)
Rick Parfitt, vocalist, songwriter and guitarist (Status Quo)
George Michael, pop vocalist and songwriter
George S. Irving, musical theater and voice actor
Alphonse Mouzan, jazz drummer
Pierre Barouh, lyricist (A Man and a Woman), composer and actor
Debbie Reynolds, actress and vocalist
Billie Joe Burnette, country vocalist and songwriter (“Teddy Bear”)
Rich Conaty, radio broadcaster (WFUV’s The Big Broadcast)
Allan Williams, booking agent and manager (The Beatles)
Johnny Canton, radio broadcaster (WDGY, WCCO)
David Meltzer, poet and jazz guitarist

Dwight Yoakam: Swimmin’ Pool, Movie Stars

Friday, October 21st, 2016

dwightyoakamswimminpoolsmoviestarsSwaggering bluegrass reinterpretations of Yoakam highlights

Commercial country music has become so commoditized by its formulas that it’s often difficult to recognize who you’re listening to. Not so with Dwight Yoakam. Not ever with Dwight Yoakam. Not only is his voice a singular instrument, but so is his taste as an artist. Not that he’s ever sat still in a pigeonhole; he’s maintained a throughline of artistic integrity and fidelity to country music’s emotional foundation even as he stretched the boundaries of country with former partner Pete Anderson, lured Buck Owens back to work, and stripped down to solo guitar for the reassessment of 2000’s dwightyoakamacoustic.net. The outline of this latter solo acoustic jaunt is reprised here, but with a twist of bluegrass applied to catalog selections that favor deserving album tracks over hits.

Yoakam’s interest in bluegrass isn’t new – he was born in Kentucky (though raised in Ohio), and he’s recorded with both Ralph Stanley (“Down Where the River Bends” on Stanley’s Saturday Night & Sunday Morning and “Miner’s Prayer” on Dwight’s Used Records) and Earl Scruggs (“Borrowed Love” on Scruggs’ Earl Scruggs and Friends). He’s had his songs reimagined in bluegrass arrangements, having been paid tribute on 2004’s Pickin’ on Dwight Yoakam, and he’s featured bluegrass arrangements in his live show for several years. But this is the first time he’s settled down in the studio with a bluegrass band for his own album, and buoyed by the first class backing of Bryan Sutton, Stuart Duncan, Barry Bales, Adam Steffey and Scott Vestal, he finds new layers in eleven of his own compositions and a compelling cover of Prince’s “Purple Rain.”

The opening “What I Don’t Know” turns the original’s simmering accusation into an angry holler, and the lead vocal and harmonies of “These Arms” are sorrowful in a different way than the hard honky-tonk of the original. “Two Doors Down” is sung high and lonesome, without the tenderness and redemptive organ of the original or the stark introspection of the earlier acoustic take. As in his collaborations with Pete Anderson, Yoakam leans on his partners for both tradition and invention. His take on bluegrass is similar to his take on Bakersfield (and Bakersfield’s own take on country): knowledgeable, perhaps even reverent, but never slavish. Everyone clearly had a lot of fun reinterpreting these songs, and their spontaneity is infectious; you won’t put away the originals, but neither will you skip these remakes. [©2016 Hyperbolium]

Dwight Yoakam’s Home Page

Marley’s Ghost: The Woodstock Sessions

Tuesday, September 13th, 2016

marleysghost_thewoodstocksessionsVeteran roots group records in Woodstock with Larry Campbell

Thirty years into their career, Marley’s Ghost is like a well-worn leather jacket. You can admire their tenure intellectually, but up-close, with your ears, you can’t help but be moved by the effortless music their tenure has produced. The band’s breadth, interpersonal chemistry and instrumental skills create performance from the seemingly simpler act of music making. “Seemingly,” because it’s anything but simple for skills to be so completely second nature. With Larry Campbell as producer and recording in Levon Helm’s Woodstock studio, the group leaned heavily on a connoisseur’s selection of traditional material that includes titles written by the Delmores (“Field Hand Man”) and made famous by the Stanleys (“Stone Walls and Steel Bars”), Bill Monroe (“In the Pines”) and Carter Family (“The Storms Are on the Ocean”). The harmonies flow easily from blues to bluegrass to country to Cajun, and in “Run on for a Long Time,” to gospel. The album closes with the fiddle tune “Uncle Joe,” leaving listeners dancing to this journey through American roots music. [©2016 Hyperbolium]

Marley’s Ghost’s Home Page

Dwight Yoakam: Guitars, Cadillacs

Friday, September 9th, 2016

The first single from Dwight Yoakam’s upcoming bluegrass LP Swimmin’ Pools, Movie Stars… is a fine acoustic take on his second hit single.

Ralph Stanley and the Clinch Mountain Boys: The Complete Jessup Recordings Plus!

Tuesday, February 16th, 2016

RalphStanleyAndTheClinchMountainBoys_TheCompleteJessupRecordingsPlusRare Ralph Stanley albums, plus a third from Whitley and Skaggs

By the time Ralph Stanley released Michigan Bluegrass on the independent Jessup label in 1971, he was well into establishing the second phase of his career. A twenty year run as half the Stanley Brothers had ended with the passing of his older brother Carter in 1966, but barely missing a beat, he reincarnated the Clinch Mountain Boys, continued to release records for King, and added releases on Rebel, Jalyn and Jessup. His connection with the latter was brief, comprising just two albums recorded in five weeks in 1971, and released in ‘71 and ‘73. The albums were previously reissued as Echoes of the Stanley Brothers, but are augmented here by ten additional tracks drawn from Keith Whitley and Ricky Skaggs’ contemporaneous Tribute to the Stanley Brothers.

Whitley and Skaggs were backed by the Clinch Mountain Boys for their album, and after being invited to join the group, the album was reissued under Ralph Stanley’s name. This 2-CD set opens with ten of the tribute album’s twelve tracks (omitting “White Dove” and “The Angels Are Singing Tonight”), with, according to the Colin Escott’s well-researched liner notes, Stanley leaving the banjo parts to Roy Lee Centers. Whitley and Skaggs delved deep into the Stanley Brothers catalog, showing off the encyclopedic knowledge that had originally caught Ralph Stanley’s ear. The songs of loss, longing and loneliness are highlighted by an unusual murder-suicide in “Little Glass of Wine.” The stereo production is clean and spacious, with the fiddle, mandolin, guitar and bass crisply arrayed around the tight, sorrowful lead harmonies.

In the summer of 1971, after a live outing and a pair of albums for Rebel, Stanley took his band into Jessup’s Jackson, Michigan studio. The first of his two Jessup albums features a trove of then-new material, including a pair of socially conscious songs by Gene Duty. “Let’s Keep Old Glory Waving” is straightforwardly prideful, but the opening “Are You Proud of America” digs deeper with its questioning of those who question America. Wendy Smith contributed “River Underground,” a murder ballad in which the protagonist ends up haunted by guilt rather than jailed or dead. Joyce Morris’ “Another Song, Another Drink” gains an extra shade of sadness in the retrospective light of lead vocalist Keith Whitley’s untimely death, and the album’s instrumentals, “Hulla Gull” and “Buckwheat,” highlight the band’s musical talent.

Five weeks later, the group was back in Jessup’s studio to record an album of gospel material drawn from the Stanley Brothers catalog. In addition to traditional material given the Stanley treatment, the songs include Ruby Rakes’ “Wings of Angels” and J.L. Frank and Pee Wee King’s “My Main Trail is Yet to Come.” The former looks forward to heavenly salvation, while the latter finds a condemned man awaiting his eternal sentence. The vocals are at turns forlorn and praiseful as they essay family, faith, loss and sorrow, mourning those who’ve passed and anticipating reunion in the hereafter. Stanley said that vocalist Roy Lee Centers “had the gift,” and it’s in full evidence here amid the revitalized group. Real Gone’s 2-CD set is a real treat for fans of bluegrass, gospel and the Stanley Brothers. [©2016 Hyperbolium]

Dr. Ralph Stanley’s Home Page

Hypercast #5: The Fool Anthology

Sunday, April 12th, 2015

“The Fool” was written by Lee Hazlewood (though credited to his nom de spouse, Naomi Ford, and with a guitar riff borrowed from Howlin’ Wolf’s “Smokestack Lightnin’“), and first waxed by Sanford Clark in 1956. Since then, the song’s been recorded dozens of times across a surprising range of genres. Here, for your irritainment*, are twenty-eight different recordings, clocking it at over ninety-six oddly hypnotic minutes.

* Thanks to artist Gordon Monahan and his Exotic Trilogy series for inspiration.

The Howlin’ Brothers: Trouble

Thursday, June 26th, 2014

HowlinBrothers_TroubleNostalgic bluegrass, folk and blues with a shot of modern vitality

The Howlin’ Brothers continue to combine a formidable collection of Americana sounds, including country, folk, blues, bluegrass, gospel and Dixieland, with the moxie of street performance. Their latest works even harder to stop passerby in their tracks with banjo country, harmonica-and-slide blues, weeping fiddle tunes, steel-guitar waltzes, Cajun dance numbers and vocals that invite the audience to sing along. Their playing exhibits the best of two worlds, combining the energy of extemporaneous expression with the finesse of experience. It’s as if they captured the essence of a Saturday night stage and an impromptu Tuesday-afternoon street corner in a studio recording. The track list also plays to the feel of a live set, with carefree numbers, rough plaints and sad tales taking listeners on a roller coaster of emotions. One can easily imagine this entire disc played on stage as-is, returning dancers from the whirl of “Monroe” to shed a few dizzy tears to the heartbroken “World Spinning Round.” The trio’s range is impressive, including upbeat bluegrass, spare folk and steel honky-tonk in a truly coherent mix; it’s like listening to a day of Strictly Hardly Bluegrass in one band; even the reggae “Love” somehow fits easily into their set. Most impressively, the group instills new energy into classic roots forms, keeping this from turning into a nostalgia fest or even an exercise in progressive twists; it’s just inspiring and fun. A lot of fun. [©2014 Hyperbolium]

The Howlin’ Brothers Home Page

Tim O’Brien and Darrell Scott: Memories and Moments

Wednesday, October 2nd, 2013

TimOBrienDarrellScott_MemoriesAndMomentsEffortless country, folk and bluegrass duets

It’s one thing to be a world class musician, but applying that talent to spontaneous performance in a studio setting is something else entirely. For their second formal collaboration, Tim O’Brien and Darrell Scott perform rather than produce – the recordings catch them in the act of making music, rather than making a record. Sitting face-to-face for most of these tracks, they pick and sing for one another rather than for the microphones, and the results contain the essence of duet music. There’s an interplay between their instruments and voices, provocations made and instantly answered, that are often still-born or sterilized by the process of recording. But such is the nature of their collaboration, which began with 2000’s Real Time and which grew in countless career intersections.

Last year’s We’re Usually a Lot Better Than This, showed how quickly and easily the duo could come together in live performance, and how the element of surprise could spur great stage performances. Their latest, built from new solo material, a co-write and a few covers, shows how empathetic each is to the other’s instrumental and vocal traits. There are few others who  could pull together such performances this nuanced and riveting in just three days. O’Brien and Scott sound as if they’re singing well-worn folk songs they’d been touring for years, when in fact the original material is new. They conjure George Jones’ spirit with their harmony runs on the possum’s sad-sack “Just One More Time” and are joined by John Prine for his own “Paradise.” Waiting thirteen years is one way to avoid the sophomore jinx; hopefully these two will get to junior year a bit more quickly. [©2013 Hyperbolium]

Tim O’Brien’s Home Page
Darrell Scott’s Home Page

The Deadly Gentlemen: Roll Me, Tumble Me

Sunday, August 11th, 2013

DeadlyGentlemen_RollMeTumbleMeAcoustic string band that goes beyond Bluegrass convention

This Boston-based quintet sports a traditional string band lineup of guitar, banjo, fiddle, mandolin and bass, and though that adds up to the acoustics of a bluegrass band, their original material is something distinct from that of the typical festival players. The differences likely stem from the varied background of the band members: fiddler Mike Barnett, bassist Sam Grisman (son of mandolinist David) and mandolinist Dominick Leslie had traditional childhood immersions in acoustic music, while banjoist Greg Liszt had a dual life as a picker (with the Crooked Still) and a scientist (including a Ph.D. in molecular biology from MIT), and guitarist Stash Wyslouch followed a route through rock and heavy metal before settling into country and bluegrass.

The band’s moved closer to traditional song structures over their five years and three records, but the remnants of earlier experiments are still to be heard. Their harmonies, for example, range from traditional high-low bluegrass singing to unison passages they’ve characterized as “gang vocals.” There’s also a helping of country that suggests harmony acts like Alabama and the Statler Brothers. There’s a hopefulness to their tone, even when singing lyrics of failed love, buoyed by rolling banjo, sawed fiddle and fluttering lines of mandolin. The tempos leave little time for dwelling on failure; “Bored of the Raging” emerges from a crawl to a run, and “A Faded Star” waves off inevitability in favor of the changeable present moment.

In contrast, the passing years of “Now is Not the Time” and stagnant living of “Working” seem to spark genuine worries (though the latter does manage a rare use of the word “wankfest” in a song lyric). The band’s hopefulness is also interrupted by the dichotomies of “Beautiful’s the Body” and “It’ll End Too Soon,” each serving up conflicting impulses and no clear answers. Greg Liszt’s songwriting straddles portrait and poetry, drawing characters and situations that layer abstraction on concrete foundations. His optimistic joys and thoughtful concerns give the album a believable outline whose emotional details are inked in by the band’s talented and soulful musicianship. [©2013 Hyperbolium]

The Deadly Gentlemen’s Home Page

Various Artists: Music is Love – A Singer-Songwriter’s Tribute to the Music of CSN&Y

Monday, June 10th, 2013

Various_MusicIsLoveWide-ranging set of CSN&Y covers

This double-album tribute to the music of CSN&Y was released in 2012 as a fundraiser for the Equestrian Therapy Co-Op in Simi Valley, CA. The twenty-seven artists range from high-profile names (Judy Collins, Elliott Murphy) to cult favorites (Steve Wynn, The Coal Porters, Willie Nile, Cindy Lee Berryhill) and a number of newer and less globally-famous acts, including Stephen Stills’ daughter, Jennifer. Each takes a personal approach to a song from the various catalogs associated with CSN&Y, together, solo, and in earlier group incarnations, such as Sugarcane Jane’s banjo-centered revamp of Buffalo Springfield’s “Bluebird.” The interpretations range widely, including blues, country, alt-rock, folk, bluegrass, soul and more. A few, such as Sonny Mone’s cover of Neil Young’s “Down by the River” actually incarnate the vocal mix of CSN&Y, and Venice’s lush harmonies on “After the Gold Rush” are quite fetching. As well-known as are CSN&Y’s recordings, their songs have held up to reinterpretation over the years, and provide a deep well from which these artists draw. [©2013 Hyperbolium]

Music is Love Home Page