Obscured by the success of soul music emanating from Stax, Hi and American, the 1970s Memphis rock scene was as potent as it was little heard. Decades after their commercial failure, Big Star actually became big stars, and others Memphians making pop and rock music at the time – Icewater, Rock City, the Hot Dogs, Cargoe, Zuider Zee – eventually caught varying amounts of reflected spotlight. But even among all the retrospective appreciation, singer, guitarist and songwriter (and Memphis native) Van Duren remained obscure; his 1977 debut Are You Serious?Â was reissued in limited quantities by the Airmail and Water labels, his 1979 follow-up Idiot OptimismÂ got stuck in the vault for twenty years, and his later albums went undiscovered by many of those who would appreciate them.
That lack of renown is now set to be corrected by this soundtrack and a like-named documentary. Pulling together material from his two late-70s studio albums, a 1978 live show, previously unreleased sessions at Ardent, and the 1986 album Thin Disguise, the collection easily makes the case for Duren having been the artistic peer of his better-known Memphis colleagues. Durenâ€™s public renaissance was stirred by two Australian fans, Wade Jackson and Greg Carey, whose latter-day discovery of Are You Serious? turned into a two-year documentary project that sought to understand why the albums didnâ€™t hit, and why Duren didnâ€™t achieve the fame that his music deserved.
No one is guaranteed fame, not even the talented, and as noted, Memphis wasnâ€™t exactly a springboard for rock band success, yet Durenâ€™s connections with Ardent, Chris Bell, Jody Stephens, Andrew Loog Oldham and Jon Tiven might have tilted the odds in his favor. From his debut, recorded with Tiven on electric guitar and Hilly Michaels on drums, the setâ€™s opening â€œGrow Yourself Upâ€ has the chugging beat of Badfinger and a vocal melody that favorably suggests the early-70s work of Todd Rundgren. â€œChemical Fireâ€ offers a touch of southern funk in its bassline, and the ballad â€œWaitingâ€ is filled with the yearning its title implies. A pair of live-on-the-radio tracks show how well Durenâ€™s material translated to performance, and how easily he could summon the same level of vocal emotion on stage as in the studio.
The earliest track on this collection, the 1975 demo â€œAndy, Please,â€ was cut at Ardent with Jody Stephens on drums and vocal harmonies. Itâ€™s as assured as the album cut two years later and features a hint of Eric Carmen in the vocal and a terrific guitar outro from Jack Holder. The second albumâ€™s cover of Chris Bellâ€™s â€œMake a Sceneâ€ offers a slice of power pop, and two tracks from Durenâ€™s latter-day band Good Question (including the local hit â€œJaneâ€) remain consistent with the quality of his earlier work. Listening to Durenâ€™s music, your head will know that his lack of recognition wasnâ€™t unusual in the breaks-based world of commercial success; but your ears and heart will continue to wonder how he could have fallen so thoroughly through the cracks. Hereâ€™s hoping the new interest in his career leads to full reissues of his original albums, and more widespread recognition of his more recent material! [Â©2019 Hyperbolium]