Teenage Fanclub meets Gorky’s Zygotic Mynci
Teenage Fanclub’s Norman Blake and Gorky’s Zygotic Mynci’s Euros Childs have more melodicism in the tip of their respective pinkies than most musicians create in their entire careers. Paired together for their first full-length collaboration, the results are a brilliantly crafted cocktail of their respective bands, ‘60s British invasion and garage pop, canyon country, ‘70s power pop, pub and light rock, and ‘80s post-punk psychedelia. Like XTC’s Dukes of Stratosphear, there’s an element of spot-the-influence here, but the references are more fully digested and fleeting: a vocal harmony that suggests Curt Boettcher, CS&N or America, a melody hook that recalls the Kasnetz-Katz bubblegum factory, a stomping rhythm you’d have heard from Brisnley Schwarz, or an organ riff that lodges the Monkees in your ear.
The opening “Wich is Wich” would have made a terrific theme song to an H.R. Pufnstuf spin-off, and the nearly eleven-minute “Cave Dance” could be, for those who remember that Pufnstuf lived in a cave, both a stoneage dance sensation and a low-key escape from the powers of Witchiepoo. Unsurprisingly, the pair create buoyant, winsome music, but with just enough melancholy and angst to keep the sweetness from dissolving your teeth. Even the album’s first single, “Candyfloss,” crosses its lyrical dream woman in a duet vocal whose Motors-like harmony is laden with discontent. There are a few lesser tunes, but they quickly disappear as you indulge in the yearning of “Circling the Sun” and “I Want to Be Around,” tap your toe to the country-inspired “I’ll Make Her My Best Friend,” and glory in the duo’s irresistible melodies. [©2011 hyperbolium dot com] 
